Clarity in Secondary Action:One idea being put over in a scene can be fortified by subsidiary actions within the body. This extra business supports the main action, it is called a secondary action and is always kept subordinate to the primary action.
Clarity in Exaggeration:More exaggerated means.. It is not a distorted drawing or an action so violent it was disturbing. More Realism means.. More convincing, bigger contact with people, never destroy believability.
Clarity in Anticipation:
Body Mechanic of Walk
Basic Understanding of Walking:
Learning various walking styles is the first lesson in animation, as walking is one of the most difficult movements to master.
The Essence of Walking:
It's a continuous process of "falling forward and catching yourself." The movement consists of a cycle of "steps" and "catch."
Body Leaning:
Slow walking results in better balance, while faster walking results in a leaner body and increased risk of losing balance.
Technique Summary:
When walking, we lean forward with our upper body and swing one leg out to "catch" the body.
Walking is divided into several phases:
Medial Going Down Going Up Repeat with the other leg (loop)
Movement Details:
One arm moves in coordination with the opposite leg; Downward movement accelerates, lowering the center of gravity; Upward movement swings the arm to reduce the sense of center of gravity; The order of foot landing is: heel → ball of foot.
PROJECT 1
Objective: You are tasked with creating a natural and dynamic walk cycle animation using provided character rigs. The goal is to develop a vanilla walk and an attitude walk, focusing on timing, spacing, poses, and fluidity to achieve a believable and engaging animation. This project will enhance your understanding of character movement, weight distribution, and how subtle changes in timing and pose can convey different attitudes.
Vanilla Walk
I first watched the video where Mr. Kamal adjusted the IK/FK settings panel in the teaching video. Adjusting the IK stretching and IK vertex follow functions can enhance flexibility and make the swinging more natural and smooth.
I followed the teacher's instructional video step by step and used the "Pose-to-Pose" method to create the animation. First, I set several key extreme poses on the timeline, with each one approximately spaced three frames apart. After completing these main poses, I moved the keyframes slightly forward and added transition frames and detail frames in the middle to make the animation transition more natural and smooth. Eventually, I formed a complete and coherent action sequence.
Attitude Walk
We need to find a reference video online and imitate it.
During the creative process, I strictly followed the video teaching instructions provided by the teacher. I first established four main key poses, and then gradually inserted transitional frames to refine the movements. Although the entire process was more complicated than I had expected, especially in terms of controlling the rhythm and coordinating the movements, upon completion, I felt an immense sense of achievement and it also enhanced my understanding of character animation.
Observations
By consulting reference materials and analyzing the teaching videos frame by frame, I realized that the walking motion is far more complex than it appears on the surface. The character constantly shifts its center of gravity while moving, and needs to find a balance between swaying, swinging and foot placement. For instance, during the "sinking" stage, the character's body needs to quickly lower its center of gravity, while during the "rising" stage, it should exhibit a slight stretch and extension. Moreover, different styles of walking also have their own differences. For example, normal walking is relatively smooth, while expressive walking styles place more emphasis on rhythm, arm swing amplitude and changes in body tilt.
Findings
This practice has made me realize that even the most basic walking animation requires precise timing control and reasonable action design to make the movements natural and full of vitality. At the same time, I have become more familiar with the use of Blender animation tools. This combination not only improves efficiency but also enables me to systematically master the production process of character animation.
26/09/2024 - //2024 (Week 01 – Week 04) You Siyuan / 0366978 Sonic Design / Bachelor of Design (Honours) in Creative Media / Taylors University Project 1: Audio Fundamentals INTRODUCTION LECTURES EXERCISES FEEDBACKS INTRODUCTION LECTURES Week 1: Module briefing/Introduction We created a blog to document the exercise process and watched a video posted by Mr. Razif on MyTimes, which gave us some insight into the project. Week 2:S ound Fundamentals Wavelength: The distance between any point on the wave and the equivalent point on the next phase. Literally, the length of the wave. Amplitude: The intensity or power of a wave signal. The "height" of a wave, when viewed as a figure. Higher amplitudes are interpreted as higher volumes, hence the name "amplifiers", devices used to increase amplitudes. Frequency: The number of times a wavelength occurs in a second. Measured in kilohertz (Khz) or cycles per second. The faster the source vibrates, the higher the sound Frequenc...
23/09/2024 (Week 02 – Week 14) You Siyuan / 0366978 Animation Fundamentals / Bachelor of Design (Honours) in Creative Media / Taylors University Exercises INTRODUCTION LECTURES Week 1 During the first week, Mr. Kamal introduced us to the basics of the course. Fig1.1 ,Week 1(30/9/2024) Mr. Kamal's blackboard writing in class Week2 Frame Rate Timing & Spacing Slow in and Slow Out Timing Chart Arcs Frame rate (expressed in frames per second or FPS) is the frequency (rate) at which a continuous image (frame) is captured or displayed. Time and interval: The number of drawings used in any move determines how long the action takes on the screen. For film directors, timing is of the essence. For animators, that's only half the battle. Animators also need spacing. We can have a natural sense of time, but we have to learn the spacing of things. Fig1.2 ,Week 2(2/10/2024) Mr. Kamal's blackboard writing in class Week 3 The Animation Style Elasticity：Squash and Stretch Flexibility:...
29/11/2024 - 28/12/2024 (Week 11 – Week 15) You Siyuan / 0366978 Animation Fundamentals / Bachelor of Design (Honours) in Creative Media / Taylors University Final Project INTRODUCTION FINAL PROJECT Use your character from your previous project 1, animate a 5 to 10 second physical action sequence. Choose an action sequence that involves physical movement, such as a fight, chase, or sports-related activity. Develop a clear understanding of the desired outcome, key actions, and the emotions you want to convey in the scene. Create a storyboard that visualises the key moments, actions and emotion of the scene. Incorporate variety of camera shots, angles and visual continuity to enhance the visual storytelling. Create a project in Adobe Animate. Set the setting as 24fps, 16:9 aspect ratio with 1280 x 720 (HD720p) resolution. Perform all the processes that you have learnt in the previous lesson to produce the final animation such as animate the animation from rough, tie down, clea...
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